How Did Joaquin Phoenix Joker Weight Loss? On Joker’s Dance Moves!

Joaquin Phoenix Joker Weight Loss: Joaquin Phoenix is an American actor, director, producer, and musician with a net worth of $60 million. Notable works of his include “Walk the Line” (2005), “The Master” (2012), “Her” (2013), and “Joker” (2019). He won many awards, including an Academy Award, a Grammy Award, and two Golden Globe Awards.

Joaquin Phoenix Weight Loss

Joaquin Phoenix, who played the Joker, is the front-runner to win Best Actor at the 92nd Academy Awards; however, the role was not without difficulties. Phoenix underwent a complete physical transformation and shed 52 pounds to perfectly portray the troubled, incessantly giggling persona of Arthur Fleck. He eventually transforms into the Joker to make this version of the Joker iconic.

The 45-year-old actor read the script and met with writer and director Todd Phillips a few months before shooting started. To do the part justice, it was decided that he needed to “appear hungry and ill.”

Phoenix saw a doctor make sure his health wasn’t in jeopardy before starting an incredibly tight diet. He told Access Hollywood, “I’ve done it previously, and working with a doctor is structured, controlled, and safe. He worked with the same doctor who assisted him in losing weight for the 2012 film The Master, which uncannily led to his nomination for Best Actor at the Oscars. Most of the method involves limiting calories quickly so that his character would appear undernourished and have bulging ribs and a spine.

Joaquin Phoenix Joker Weight Loss
Joaquin Phoenix Joker Weight Loss

Phillips was a little uneasy at first. He stated, “We began shooting in September, and it was already like June, and he hadn’t started [dropping weight].” He weighs about 180 pounds. Although he wasn’t overweight, we’re talking about reaching 125 pounds. Phoenix dismissed the rumors that he only consumed one apple daily while preparing for the role. Not every day was an apple. No, you also have steamed green beans and lettuce,” he replied.

Phoenix acknowledged that the procedure was “tough” physically and that it “takes like 30 seconds” to “talk yourself into it” before even climbing a flight of stairs (making his now-iconic stair dance scene even more meaningful).

This material was downloaded from YouTube. On their website, you might be able to discover the same material in a different format or more details. He added that he was preoccupied with even the most minor alterations in his appearance. “Waking up every day and being preoccupied over 0.3 pounds is so much of what’s challenging. Right? And you start to get some kind of disorder,” he told the Associated Press.

Phoenix claimed he gained control after losing weight and had the self-assurance to inhabit the Joker persona. “I felt like I could move my body in ways I hadn’t been able to. And in my opinion, that helped some of the physical movement that developed into a crucial character component. He told the AP.

Phoenix was upfront about the adverse effects of going to such extreme lengths for the role of Joker, which is up for a total of 11 Academy Awards when he spoke at the Venice Film Festival in August of last year. It turns out that losing that much weight in that short period affects your psychology, and you start to lose your mind.

On finding Joker’s dance moves

“The person who I believe most affected me was Ray Bolger. He played a song called “The Old Soft Shoe,” and I saw a video. His gestures have an unusual arrogance, and I feel like I took that from him. He has a habit of raising his chin. I focused on that film after this choreographer, Michael Arnold, showed me many others. Yes, that was the Joker. He certainly does exude an air of arrogance. That had the most impact, most likely. nonetheless, disco.”


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On the upsides of experimenting

“There appeared to be many possible interpretations of each event or possible actions on his part at any one time. Nothing made sense, either, so that was another plus. As a result, we would perform scenarios in a variety of ways. In some, I would cry. In others, I might crack jokes. In still others, I might be angry, but they would all make sense, which is uncommon. That has an intriguing quality to it because it keeps you engaged in a state of ongoing research and discovery.

And I believe that Todd (Phillips), the director and co-writer, and I were constantly trying to come up with new ideas to surprise one another. There was never a moment where I felt entirely relaxed. I was continually looking for new things. And that is certainly very exciting. That kind of acting is so much fun. In many cases, the reverse is true.”

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